Mattia is inspired by the reinterpretation of a creative sign from the early Seventies, offering a modern take on a design from the Minotti archive.
The finely contoured shell accommodates the seat, opening up like a corolla to host the original roller feature of the backrest. Formal solutions reminiscent of sculptures and the balance between the rigid structure and the suspended volume give life to seats with a soft, enveloping look.
The family comprises a three-seater sofa, an armchair and swivel lounge armchair, available with leather shell and fabric upholstered seat and backrest, or with total fabric or leather covering.
Conceived as precious details to streamline and lighten the design, the steel feet jetting out from underneath sport a Black-Nickel finish. The swivel base of the lounge armchair is available in the same finish.
The Mattia coffee tables, characterised by clean lines and by the same protruding steel feet that distinguish the seats, reinterpret in a contemporary way volumes and design sign of the early Seventies.
A series of round, rectangular and square coffee tables in different sizes and heights, available in three versions: with top in Calacatta marble or Black pâte de verre - inserted in a frame in brushed ash wood featuring a Liquorice colour lacquered finish - or entirely in brushed ash wood with Liquorice colour lacquered finish. The coffee tables sit on steel legs with a Black-Nickel finish.
The strategic collaboration between Minotti and Rodolfo Dordoni, architect and designer from Milan, began back in 1997.
Rationalist architect and professional with a multi-faceted personality, Rodolfo Dordoni met Renato and Roberto Minotti towards the end of the nineties. The Minotti brothers immediately considered Rodolfo Dordoni’s cultural background, professional experience and sensitivity as an interior decorator the ideal basis for forging a strong relationship. The challenge that faced them was to create a new vision of the company.
So, in 1997, Rodolfo Dordoni presented his first collection of seats, tables and coffee tables, including Suitcase, the iconic cubic armchair freely inspired by the world of fashion and luggage-making. A successful design, rigorous and non-conventional, which marked the beginning of a consolidated relationship that has spanned more than twenty years and shows no signs of slowing down.
The next year, in 1998, he was nominated Art Director and coordinator of all the company’s collections. This marked a turning point that launched him on a pathway of continuous research, guided by the values of coherence, determination, passion and enthusiasm. Over the years, it led to the definition of a full range for the home, designed for both indoor and outdoor environments and for Hospitality spaces, fully interpreting the concept of “collection” and “lifestyle”.
Year after year, collection after collection, this collaboration has played a part in reinforcing the brand identity and in giving the collections a feel of exclusivity, carrying a strong message of quality and fine Italian craftsmanship all round the world, by innovating and creating continuity.
The collaboration has also extended to designing the stands for the various editions of the Salone del Mobile in Milan and Shanghai and the fair in Cologne, as well as the creation of spaces such as the Minotti New York flagship store, opened in 2010, and the company showroom installed in the headquarters in Meda in 2012.
His many iconic indoor and outdoor furniture designs created since he began working with the company over 20 years ago have recently been joined by some new additions - the Connery and Blazer indoor and the Sunray outdoor seating systems - all characterised by pure volumes, sharp geometries and a haute couture approach to sartorial craftsmanship - along with a myriad of furnishing solutions, small furniture and accessories.