Description
The Elas family of seats is a tribute to women who shaped international creative culture, architecture, and contemporary art, translating their vision into a sophisticated and profoundly human approach to living. Natural surfaces, gentle volumes, and organic lines create a seamless dialogue between body and space, while carefully calibrated details express a refined sensuality. Designed for domestic interiors, winter gardens, and transitional spaces, Elas adapts naturally to different environments while maintaining a distinctive identity.
Elas is available with a genuine wicker shell in bergère, armchair, and footstool configurations, on a swivel metal base with Bronze-finished spokes or a fixed all-wood base. Soft cushions integrate seamlessly into the woven structure, while the bergère features a fluid leaf-shaped headrest. A fully upholstered shell version is also available, along with a bergère with upholstered armrests and a compact swivel variation. The collection is completed by matching footstools, while selected wooden configurations feature a stone insert in one armrest, creating a distinctive dialogue between materials and connecting interior and exterior living.
The wicker version is not FSC® certified.
Designer
Marcio Kogan / Studio MK27
The partnership between Minotti and Brazilian architect Marcio Kogan began in 2017. Marcio Kogan approached the world of architecture and opened the Studio MK27 in São Paolo at the end of the seventies: volcanic and rigorous, attentive to the pure volumes and simple shapes of his designs, as well as the details and finishes, he favours open, squared architectures - which aesthetically and stylistically merge in and out - characterised by floor-to-ceiling windows that erase the boundary with the outdoors.
With a design style inspired by nature, the warm woods of his homeland, and the clean lines of his architectural works, in 2018, he created the Quadrado outdoor seating system for Minotti, approaching the world of design with brilliance for the first time.





















